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Antonin Artaud, Selected Writings, by Antonin Artaud
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- Sales Rank: #955174 in Books
- Brand: Farrar, Straus & Giroux
- Published on: 1976-01-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .0" h x .0" w x .0" l, .0 pounds
- Binding: Hardcover
- 661 pages
Language Notes
Text: English, French (translation)
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Michael Luggio
Absolutely great collectors edition. Perfect as described.
15 of 17 people found the following review helpful.
Tome essential to all theatre artists
By A Customer
Studying Artaud is one way of taking a deep dive off into the realm of the unknown. His struggle to fully comprehend and describe lucidly his thought process and the clockwork of his soul; his obsessive desire and drive to break beyond the mundane level of median psycological theatre to rediscover the fiery roots and potent magic of the theatre event; and his visionary words---all of these combine to give us a man who was deep, profound and troubled---hence, utterly human, and truly inspirational to any theatre artist or artist in general. This translation of some of his most essential writings is essential to anyone who wishes to study the avant garde theatre. His influence is at times lucid and clearly defined; at other times, one sees that the myth of Artaud has distorted what the actual man wanted and worked for. In dealing with any artist who has created such a controversy (in his own time as well as in our time), one has to approach his work with the discipline of a tightrope walker. And Sontag's work provides the researcher with a straight, keen and powerful translation. Among the other translations of Artaud, this one is the best anthology available for the experienced researcher and the burning initiate. Read it as an athlete of the heart.
11 of 14 people found the following review helpful.
Artaud: what and where and how were you thinking?
By Mr A ODonnell
Selected Writings isn't an easy read. I jumped around a lot. This stuff is the most intense stuff I've ever come across. Artaud is one of the most important writers to rationalise beyond logic. His ideas on Van Gogh prove, beyond doubt, that his sense of aesthetics was far more acute than his contemporaries. They always said weird stuff about Neitszche, how he was more 'in touch with himself' than other writers or, indeed, society at large. But Artaud explodes that idea, since he continually toys with his own sense of himself to the extreme. Reading Artaud for prolonged periods is like going beyond this (his) sense of self to another place, something completely new and agonizing. His ideas abouty the theatre are quite well established but there is other stuff here. The poems, monologues and just the sheer variety of 'inner scenarios' at play here really astounds you. 'To have done with the judgement of God' must be the most extreme form of self expressed mental torture around! (incidentally, am I correct in thinking there is a recording of this piece knockin' around?) Anyways, please take a slice of the insanity, you never know where it will lead you...
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