Sabtu, 30 Juni 2012

[R639.Ebook] PDF Download After the Fall: A Play, by Arthur Miller

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After the Fall: A Play, by Arthur Miller

  • Sales Rank: #9079368 in Books
  • Published on: 1967-01-01
  • Binding: Mass Market Paperback
  • 164 pages

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0 of 0 people found the following review helpful.
"There's something in me that could dare to love the world again!"
By Michael J. Ettner
[Note: To read additional reviews of Arthur Miller's "After the Fall" go to the main product page for the book, here: After the Fall: A Play in Two Acts (Penguin Plays).]

Arthur Miller's "After the Fall" takes the form of an investigation into the forces which give rise to incomplete and destructive human relationships. Its protagonist, Quentin, in whose mind the play is enacted, subscribes to a simple credo: "You tell the truth, even against yourself." The play is fabricated as a trial or, more fittingly, an inquest in which the moralist, Quentin, sits in judgment upon his own conscience, his own values, his own actions.

Quentin, now retired from the practice of law, examines and cross-examines all aspects of his being: his distorted emotions, marital complexities, and other intimate struggles. The result is that "After the Fall" becomes a big, demanding drama. When staged, the play typically occupies a full three and a half hours, time spent in a relentless search for answers. Has Quentin's life been lived in good faith? Can, in his remaining years, he reach beyond self-condemnation to some measure of hope? A tortured process of self-discovery finds him fighting against innate fear, his unwillingness to unearth what Miller labels "the seeds of his own destruction." It is a fundamental, personal need to know that serves as the backbone of this otherwise a loosely structured play. Whether you are reading the dialog and stage direction on the page, or are sitting in a theater audience, you will likely be engrossed in his journey, since this is your journey too.

For the personal is the universal. At the same time as we are learning of intimate events in Quentin's life, a universal drama unfolds. Miller's intent is for "After the Fall" to present a broad study of mankind's terrible predisposition to cruelty, our evasions of responsibility, and our final seizure by remorse. After wildly ranging over times past, the play returns us to the present where Quentin is considering marrying a German woman who survived the Holocaust -- an experience that permitted her to accept human blindness and failures. She is the catalyst helping him universalize his personal predicament. The climactic scene in this process finds Quentin pausing in the shadow of an imagined concentration camp tower looming over his meager self. He asks: "Who can be innocent again on this mountain of skulls? I tell you what I know! My brothers died here . . . but my brothers built this place; our hearts have cut these stones! And what's the cure!"

It is in "After the Fall" that Miller strives, with a greater urgency than in any of his other theater works, to enter into a dialog with essential works of twentieth-century thought and literature. Consider "Gerontion" (1920), in which T.S. Eliot posed the key question: "After such knowledge, what forgiveness?" Notice how, at the close of "After the Fall," Quentin seemingly confronts Eliot's entreaty: "Is the knowing all? And the wish to kill is never killed, but with some gift of courage one may look into its face when it appears, and with a stroke of love -- as to an idiot in the house -- forgive it; again and again . . . forever?"

Again and again: There was something in Miller's plea that reminded me of words uttered just a few years after the opening of "After the Fall." Before a stunned audience in Indianapolis, Indiana, on an evening in 1968 when news spread of the Rev. Martin Luther King's assassination, Robert F. Kennedy spoke. Without notes, at first haltingly but then with earned authority, Kennedy urged upon us this credo:

"We have to make an effort to understand, to get beyond, to go beyond these rather difficult times . . . . Aeschylus once wrote: `Even in our sleep, pain which cannot forget, falls drop by drop upon the heart, until in our own despair, against our will, comes wisdom, through the awful grace of god.' What we need . . . is not division . . . not hatred . . . not violence and lawlessness . . . but is love and wisdom and compassion toward one another: A feeling of justice."

0 of 0 people found the following review helpful.
Thoroughly enjoyed it
By Andrea Williamson
Great play. I love Arthur Millers work but this has to be one of my favorites of his. Really recommend this play. Ps: it's rumored to be written about his relationship with Marilyn Monroe. ;-)

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Jumat, 22 Juni 2012

[T505.Ebook] Free Ebook The Essentials of Political Analysis (Fifth Edition)From CQ Press

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The Essentials of Political Analysis (Fifth Edition)From CQ Press

"Overall, this is the best political science research methods book I've seen." -William Field, Rutgers University Building students' analytic abilities and developing their statistical reasoning with new data, fresh exercises, and engaging examples, this accessible introduction to the essential elements of political analysis walks students through the basics-measuring concepts, describing variables, formulating and testing hypotheses, controlling for alternative explanations, and interpreting graphic displays, and nearly 50 practical exercises motivate them to use their new skills with confidence. New to this edition: * All examples updated with current data sources * Treatment of visual depictions of variables and relationships and enhanced coverage of logistic regression * A total of 48 end-of-chapter exercises, many new or completely revised * More accessible discussion of spurious, additive, and interaction relationships * Coverage of box plots and error bar charts * New discussion of ways to represent probabilities in logistic regression

  • Sales Rank: #79642 in Books
  • Published on: 2015-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: .60" h x 7.00" w x 9.90" l, .0 pounds
  • Binding: Paperback
  • 280 pages

Review
"With its carefully organized material, hands-on running examples, and accessible writing style, The Essentials of Political Analysis introduces readers to the foundational principles of research in Political Science in a natural and fluid fashion. It effectively conveys to students the idea that the methods we use in Political Science research are crucial in providing answers to real world political and social questions. The chapters on inference in particular are extremely well executed." -- Renato Corbetta "Overall, this is the best political science research methods book I've seen. It is brief yet covers the methodological basics of quantitative research design from concept development to difference of means, chi-square, and linear regression. It is detailed, yet comprehensible. Best of all, the companion text offers quality datasets and walk-throughs of SPSS that bring every concept here to life. Combined, The Essentials of Political Analysis and An SPSS Companion to Political Analysis form the backbone of our undergraduate research methods teaching." -- William Field

About the Author
Philip H. Pollock III is professor of political science at the University of Central Florida. He has taught courses in research methods at the undergraduate and graduate levels for nearly 30 years. His main research interests are American public opinion, voting behavior, techniques of quantitative analysis, and the scholarship of teaching and learning. His recent research has been on the effectiveness of Internet-based instruction. Pollock's research has appeared in the American Journal of Political Science, Social Science Quarterly, and British Journal of Political Science. Recent scholarly publications include articles in Political Research Quarterly, the Journal of Political Science Education, and PS: Political Science and Politics.

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0 of 0 people found the following review helpful.
Five Stars
By Mom of boys
As promised!

0 of 0 people found the following review helpful.
actually kinda liked it.
By Jonathan, Amazon Buyer
Book works well for class, actually kinda liked it.

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Jumat, 08 Juni 2012

[X558.Ebook] PDF Ebook The White Trilogy: A White Arrest, Taming the Alien, and The McDead, by Ken Bruen

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The White Trilogy: A White Arrest, Taming the Alien, and The McDead, by Ken Bruen

Two tough, aging cops take on London’s thugs, killers, and mobsters in Ken Bruen’s hard-as-nails White Trilogy

At sixty-two, Chief Inspector Roberts is nearly too old to be a cop, but he makes up for his age with a ferocity that the younger detectives cannot match. After four decades on the force, he has a daughter who hates him, a wife who cheats, and a bank account that grows emptier every year. But on London’s darker streets, Roberts is a force to be reckoned with. With his partner, the gleefully brutal Detective Sergeant Brant, Roberts looks for every policeman’s dream: the White Arrest, a high-profile success that makes up for all their past failures. In A White Arrest, their target is a bat-wielding lunatic who knocks off drug dealers. In Taming the Alien, they hunt a mysterious hit man who earned his nickname by carrying out a hit while watching Ridley Scott’s sci-fi classic. And in The McDead, Roberts and Brant set their sights on a cunning kingpin ruling London’s southeast side. Gripping and gritty, Ken Bruen’s White Trilogy is an unforgettable noir portrait of London’s seedy underworld.

  • Sales Rank: #6266004 in Books
  • Published on: 2014-01-21
  • Released on: 2014-01-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.13" w x 5.50" l, 1.60 pounds
  • Binding: Hardcover
  • 460 pages

Review
“Hip, violent and funny.” —Publishers Weekly “This stuff smokes like cordite.” —Booklist “The most striking and original crime novels of the decade.” —British GQ

About the Author
Ken Bruen (b. 1951) is one of the most prominent Irish crime writers of the last two decades. Born in Galway, he began writing in the mid 1990s. He has two long-running series: one starring a disgraced former policeman named Jack Taylor, the other a London police detective named Inspector Brant. Praised for their sharp insight into the darker side of today’s prosperous Ireland, Bruen’s novels are marked by grim atmosphere and clipped prose. Among the best known are his White Trilogy (1998–2000) and The Guards (2001), the Shamus award–winning first novel in the Jack Taylor series. Along with his wife and daughter, Bruen lives and works in Galway.       

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Selasa, 05 Juni 2012

[Y688.Ebook] Get Free Ebook Plato: Apology (Greek Edition), by Plato

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Plato: Apology (Greek Edition), by Plato

The revised edition of this popular textbook features revised vocabulary and grammatical notes that now appear on the same page as the text, sentence diagrams, principal parts of verbs listed both by Stephanus page and alphabetically, word frequency list for words occurring more than twice, and complete vocabulary.

Also available:

Meleager: The Poems - ISBN 0865162549
Asclepiades of Samos and Leonidas of Tarentum: The Poems - ISBN 0865164568

For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books.

Some of the areas we publish in include:

Selections From The Aeneid
Latin Grammar & Pronunciation
Greek Grammar & Pronunciation
Texts Supporting Wheelock's Latin
Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero
Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace
Greek Mythology
Greek Lexicon
Slovak Culture And History

  • Sales Rank: #266707 in Books
  • Brand: Brand: Bolchazy-Carducci Publishers
  • Published on: 1997-03-01
  • Original language: Greek
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x .50" l, .45 pounds
  • Binding: Paperback
  • 127 pages
Features
  • Used Book in Good Condition

Language Notes
Text: Greek, English

Most helpful customer reviews

1 of 3 people found the following review helpful.
Great translation, a must read as it is really short
By 1000Books
Usual amazing Plato-ness. The preface to this has a detailed discussion of how Plato makes Socrates seem a bit "Superior". I agree as this is a dialectic challenge, i.e. creating a speech of one's own defense that doesn't result in a person being "defensive" or at the very least outraged at false accusations. I found his discussion on politics and justice or righteousness to be fascinatingly timeless.

6 of 14 people found the following review helpful.
standard school text of the Apology
By Classics teacher
This textbook has much to recommend it. I used it this year in an advanced high school Greek course and know of no textbook either in or out of print that is more helpful. As a practical matter, it supersedes all earlier editions, most of which fail to meets the needs of current students.

The text contains a complete vocabulary. Each page of Greek text is accompanied by extensive notes on the facing page (along with translations of words that appear infrequently). While the Apology is often labeled an "intermediate" Greek text, it features many challenging constructions, including (to cite only a few) prolepsis, anacoluthon, attraction, and frequent ellipses. Intermediate Greek students cannot possibly unravel these syntactical knots without useful explanatory notes. Helm's comments are crisp and on point. Nor does he co-opt the student's task of translating.

Also included are references to more detailed treatments of grammatical points found in Herbert Weir Smyth's monumental "Greek Grammar." There are useful appendices, one with diagrams of several long and complicated sentences, another containing principal parts of key verbs found in the work. Overall, the notes are directed to the student who is coming to the text of the Apology for the first time.

My only quibble with this textbook is the Greek font, which I do not find especially appealing. I much prefer the Porson font found in the Bryn Mawr commentary of the same work.

As for the Apology itself, it is one of the great masterworks of Greek literature. To read it in Greek is an education in itself. An ancient commentator insightfully pointed out that the work is really four things: 1) a defense speech proper; 2) a counter-indictment of the Athenian people; 3) a portrait of Socrates the man; and 4) a depiction of the ideal philosopher. It truly is each of these things, and the brilliance of Plato's achievement lies in his simultaneous handling of these different aims.

The speech can be approached from a range of perspectives. In the very least it is a fascinating study in Athenian legal procedure (Socrates was tried by a jury of 500 Athenian citizens), where judges and lawyers played no role in the trial and jurors were largely free to interpret the charge however they wished. The speech also must be situated in its historical context, namely, the end of the Peloponnesian War, the rule of the Thirty Tyrants, and the restoration of the Athenian democracy. The way in which the traditional morality of Athens was challenged by the sophists must also be considered closely for a full understanding of the speech.

Some have argued that Socrates did a poor job of defending himself. Certainly there are passages where, rather then defending himself, he condemns the Athenians for failing to tend to their own souls and warns them in no uncertain terms that they will only be the worse for executing him. In the end, the speech is extraordinarily moving in its depiction of Socrates' unflinching moral courage and absolute devotion to his philosophical mission.

0 of 0 people found the following review helpful.
Fantastic liner notes for intermediate greek students and possibly even ...
By swilke1016
Fantastic liner notes for intermediate greek students and possibly even beginning greek students with an understanding of greek grammar. I look forward to reading this in its entirety in GRK 202

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Minggu, 03 Juni 2012

[M506.Ebook] Ebook Download Drawing Fantastic Furries: The Ultimate Guide to Drawing Anthropomorphic Characters, by Christopher Hart

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Drawing Fantastic Furries: The Ultimate Guide to Drawing Anthropomorphic Characters, by Christopher Hart

Drawing Fantastic Furries: The Ultimate Guide to Drawing Anthropomorphic Characters, by Christopher Hart



Drawing Fantastic Furries: The Ultimate Guide to Drawing Anthropomorphic Characters, by Christopher Hart

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Drawing Fantastic Furries: The Ultimate Guide to Drawing Anthropomorphic Characters, by Christopher Hart

ENTER THE ALLURING, MAGICAL, MYTHICAL WORLD OF THE FURRY KINGDOM
 
What Is A Furry?
A furry is an anthropomorphic being—an animal with human characteristics. Furries have fascinated artists going back thousands of years and as seen in the influx of animal/human characters into popular culture, interest today is at an all time high. And now for the first time all in one volume, you’ll be able to take the next step to the outer limits of your imagination with the ultimate guide to drawing your own furries—Christopher Hart’s Drawing Fantastic Furries. After a basic lesson in the fundamentals of comparative human and animal anatomies, you’ll learn how to draw an entire menagerie of furry species, ranging from the adorable and charming super-cute furries to the seductive and super-popular glamorous furries to the warriors, wizards, vampires, and demons of the furry occult and fantasy realms.

  • Sales Rank: #585449 in Books
  • Brand: Watson-Guptill
  • Model: FBA-|288588
  • Published on: 2011-03-15
  • Released on: 2011-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.86" h x .44" w x 8.46" l, 1.29 pounds
  • Binding: Paperback
  • 144 pages

About the Author
CHRISTOPHER HART is the world's bestselling author of drawing and cartooning books. His books have sold more than 6 million copies and have been translated into 20 languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals, and they have been selected by the American Library Association for special notice.

Most helpful customer reviews

75 of 91 people found the following review helpful.
A "by the numbers" book that will only hurt your artistic development
By Onikaze
First off, Christopher Hart cannot draw, let alone instruct others on how to draw. Christopher Hart books are generally best avoided, and Drawing Fantastic Furries is no exception. In general, most of your "How to Draw" books focused on a specific cartoon niche are worthless. I'm talking about ones like "How to Draw Fantasy Creatures" or "How to Draw Manga Heroes" or "How to Draw Vampires." Not every "How to Draw" book is bad, but those focused on very specific cartoon niches are frequently bad and simply designed to cash in on whatever cartoon subject or style is popular at the time. They're frequently drawn by people who cannot draw themselves. Again, in this sense Christopher Hart is no exception. If you look through his many books, you'll see that his own drawings are amateurish and plagued with horrid anatomy that would make Rob Liefield look like Leonardo da Vinci. Most of the illustrations that actually appear to be good (until you start to dissect the components such as composition and anatomy) are by other artists.

Another problem is that this book, like many of your current "How to Draw" books, is not well suited for total beginners. You generally get a stick figure for the initial sketching, a roughed out model using the "construction method" (breaking the subject down into fundamental geometric shapes), and then the rest of the illustrative process is skipped to show a finished character. This is all well and good for folks who are familiar with the general process of drawing a subject and know how to build up the anatomy, the clothing, the accessories, and then bring it together into a finished product. But for newbies, these crucial details are generally omitted and do little other than encourage the neophyte to replicate the specific image. So it omits those "magical mystery steps" that are actually useful for fleshing out a drawing. It also provides very little information that is useful for then going on to create your own image.

If you will click the "Look Inside" link above, I'll mention a few things about the images you can see in the preview to illustrate how you are better off avoiding this book. For example, the second image is a tiger warrior. If you'll look at his torso, the area of the diaphragm between the pectoral and abdominal muscles has been "fudged" into part of the abdominal complex. The torso has no depth and the sense of musculature is very poor. Likewise, the shoulders are not well placed on the body. The right arm in particular is almost completely detached. The fox girl on the sixth preview page is poorly posed. The line of her body suggests her weight is evenly distributed and not shifted primarily to her left foot. Yet her right foot only has the tips of the toes touching the ground, suggesting it bears little or no weight. This is simply poor development of the pose and a lack of any real sense of how the body moves both physically and artistically. Further into the preview, there are pages about "Character Consistency at Different Angles." However, the different illustrations are of different characters, clearly avoiding the challenge of actually maintaining consistency of the **same** character at different angles. Look through the preview pages of this book and ask yourself, "Do I really want to limit my artistic development by only learning to draw like this fellow?" Especially when it is evident that he, himself, cannot draw.

If you are looking for good instructional books there are many out there that are more tried and true for aspiring cartoonists. These include:
Drawing on the Right Side of the Brain
How to Draw Comics the Marvel Way (Despite the "How to Draw" part of the title, this book provides a good look at figure drawing, composition, storytelling, and other very basic artistic elements as they apply to the comic book industry. Though a bit dated, it has stood the test of time for many generations of aspiring comic artists.)
Drawing the Head and Figure by Jack Hamm
Drawing Animals by Jack Hamm
Dynamic Anatomy by Burne Hogarth (Hogarth approaches anatomy more like an architect or mathematician, but the book provides a very solid sense of the human figure as a series of more complex geometric relationships that move beyond the more basic shapes conveyed in many figure drawing books.)

If you are interested in drawing anthropomorphic characters specifically, I would suggest pairing the two books by Jack Hamm mentioned above and grabbing "How to Draw Comics the Marvel Way" if you can get it as well. By learning to draw both regular humans and animals well, you will equip yourself with the knowledge and skill to combine those subjects into amazing, fanciful furry creatures that will put Christopher Hart's by-the-numbers characters to shame.

And if you want to get a bit more cartoony, "Action! Cartooning" and "Fantasy! Cartooning" by Ben Caldwell are better purchases than Christopher Hart's books. They suffer some of the same writing flaws, but Caldwell is definitely a superior artist compared to Hart.

If you'd really like to give this book a more thorough look I would suggest seeing if your local library has it or thumb through it at a bookstore. It is ultimately up to the buyer and aspiring artist to determine if this book will be of any use to them. However, I would personally advise against buying any of these niche books - especially those by Christopher Hart. Drawing any subject, be it fantastic or mundane, is a process of learning to observe, training the hand to produce what is in the world and in the mind, and practice practice practice. The Christopher Hart books attempt to cash in on those looking for shortcuts and easy fixes to drawing a particular subject or style, but true artists learn to do that by taking the fundamental principles of art and adapting them through observation of another artist's style or crafting their own unique fantasy and sci-fi characters and creatures. Many aspiring "manga/anime" artists don't realize that the true professional creators of the anime and manga they enjoy first learned to draw realistically and learned the basics as any art student would. Then they later took these fundamentals and adapted them into a more stylized approach.

There is no substitute for learning the fundamentals of art and illustration before you begin to focus on particular subjects and styles. No book will provide easy shortcuts that will do anything but hinder your artistic development. In short, no book will replace hard work and practice. Rather than throwing money away on this book, check out the resources at your library, look through books at stores, and look at resources online developed by communities of artists. (For example, Ben Caldwell has a forum where many learning, amateur, and even professional cartoonists share drawings, discussions, and ideas.)

16 of 22 people found the following review helpful.
NOT A Book For Furries (or How to Draw Them)
By Preyfar
This is not a book for people who want to learn to draw furries, let alone a book for people who want to learn to draw. It's flawed, and I feel that the author has no idea what furries are, let alone how to properly draw them. More than that, the book has some serious errors. Look at the previews provided by Amazon. Notably, look at the illustration on page 12. The human-hybrid at the bottom of the page stands on plantigrade legs (bi-pedal, straight human-like legs), yet his left leg's tibia is curved at an awkward, bizarre angle. Unless you have scurvy your legs really should not bend like that. The author tried to cover them up with pants, but there would still be a proper line where the leg's form would be, not curved in concave. Go do a search for tibia/legs. They do not bend that way, and you should NOT buy a book wherein such a huge anatomical flaw is present within the first few pages.

I could go into more flaws, but this review would end up 10X as long. Just ask yourself if you want a "how to draw" book by somebody who has glaring anatomical flaws. This will not help you learn, but hinder you.

If you want to draw furries all you really need are two things: solid books on human anatomy (90% of drawing a furry is drawing people) and a good book on drawing animals. Replace a head, add in a tail... bam. Mix and match parts, and experiment. Drawing furries are ridiculously easy. There really is no "trick" to drawing furries, and you'd be better off spending you money on books that focus on anatomy (which is, at its base, one of the most important parts of figure drawing). If you really want to spice things up, look for books on drawing monsters or dragons (I recommend the Dragonart series by Jessica "Neondragon" Peffer here on Amazon). Those are good books with great examples, and they'll you far better.

Drawing furries is fun, but you'd be better off spending your money on other, better resources.

4 of 6 people found the following review helpful.
to full animal style furry focused
By Terrell
it has a lot of furries with animal style faces but not many with human style faces & animal features. there is a zebra girl on the back of the book that has the more human style but you probably only see about one or two more actually like her in the book. there is also a lot of furries in the book without guides on how to draw them. not that impressive a book for learning but it is good book for more looney tune style furries or so.

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