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This third edition of Modern Criticism and Theory represents a major expansion on its previous incarnations with some twenty five new pieces or essays included. This expansion has two principal purposes. Firstly, in keeping with the collection’s aim to reflect contemporary preoccupations, the reader has expanded forward to include such newly emergent considerations as ecocriticism and post-theory.
Secondly, with the aim of presenting as broad an account of modern theory as possible, the reader expands backwards to to take in exemplary pieces by formative writers and thinkers of the late nineteenth and early twentieth centuries such as Marx, Freud and Virginia Woolf.. This radical expansion of content is prefaced by a wide-ranging introduction, which provides a rationale for the collection and demonstrates how connections can be made between competing theories and critical schools.
The purpose of the collection remains that of introducing the reader to the guiding concepts of contemporary literary and cultural debate. It does so by presenting substantial extracts from seminal thinkers and surrounding them with the contextual materials necessary to a full understanding. Each selection has a headnote, which gives biographical details of the author and provides suggestions for further reading, and footnotes that help explain difficult references. The collection is ordered both historically and thematically and readers are encouraged to draw for themselves connections between essays and theories.
Modern Criticism and Theory has long been regarded as a necessary collection. Now revised for the twenty first century it goes further and provides students and the general reader with a wide-ranging survey of the complex landscape of modern theory and a critical assessment of the way we think – and live – in the world today.
- Sales Rank: #451706 in Books
- Published on: 2008-03-13
- Original language: English
- Number of items: 1
- Dimensions: 9.40" h x 1.90" w x 6.70" l, 3.06 pounds
- Binding: Paperback
- 866 pages
From the Back Cover
This third edition of Modern Criticism and Theory represents a major expansion on its previous incarnations with some twenty five new pieces or essays included. This expansion has two principal purposes. Firstly, in keeping with the collection’s aim to reflect contemporary preoccupations, the reader has expanded forward to include such newly emergent considerations as ecocriticism and post-theory.
Secondly, with the aim of presenting as broad an account of modern theory as possible, the reader expands backwards to to take in exemplary pieces by formative writers and thinkers of the late nineteenth and early twentieth centuries such as Marx, Freud and Virginia Woolf.. This radical expansion of content is prefaced by a wide-ranging introduction, which provides a rationale for the collection and demonstrates how connections can be made between competing theories and critical schools.
The purpose of the collection remains that of introducing the reader to the guiding concepts of contemporary literary and cultural debate. It does so by presenting substantial extracts from seminal thinkers and surrounding them with the contextual materials necessary to a full understanding. Each selection has a headnote, which gives biographical details of the author and provides suggestions for further reading, and footnotes that help explain difficult references. The collection is ordered both historically and thematically and readers are encouraged to draw for themselves connections between essays and theories.
Modern Criticism and Theory has long been regarded as a necessary collection. Now revised for the twenty first century it goes further and provides students and the general reader with a wide-ranging survey of the complex landscape of modern theory and a critical assessment of the way we think – and live – in the world today.
David Lodge is Emeritus Professor of English Literatureat the University of Birmingham, where he taught from 1960 until 1987. He is well-known as one of the most significant British novelists and critics of recent times. His work, fiction and non-fiction, has been translated into some twenty-five languages
Nigel Wood is Professor of Literature at Loughborough University. Widely published as an editor and critic, Nigel is currently working on the Longman Annotated Edition of the poems of Alexander Pope.
About the Author
David Lodge is Emeritus Professor of English Literatureat the University of Birmingham, where he taught from 1960 until 1987. He is well-known as one of the most significant British novelists and critics of recent times. His work, fiction and non-fiction, has been translated into some twenty-five languages
Nigel Wood is Professor of Literature at Loughborough University. Widely published as an editor and critic, Nigel is currently working on the Longman Annotated Edition of the poems of Alexander Pope.
Most helpful customer reviews
0 of 0 people found the following review helpful.
An excellent reader with concise introductory information on each theorist neatly ...
By Katy Downey
An excellent reader with concise introductory information on each theorist neatly cross-referenced to help situate the individual author in a framework of critical thinking.
13 of 13 people found the following review helpful.
Excellent Anthology of short essays and excerpts
By Hesper23
This "Reader" is a collection of some of the most influential and famous essays, or exerpts of larger works, by critics of the past 100 years. The works that are anthologized include: Ferdinand de Saussure's "Nature of the Linguistic Sign," Gerard Genette's "Structuralism and Literary Criticism," Roland Barthes's "The Death of the Author," Edward Said's "Crisis in Orientalism," and even Umberto Eco's "Casablanca: Cult Movies and Intertextual Collage." As far I can tell, the collection begins after New Criticism, although there are essays from the Russian Formalists. If you're interested in Structuralism/Semiology, Deconstructionism, Reader-response, Feminism, and Cultural Studies, then this anthology will work well for you.
This book is extremely useful to readers who are interested in literary criticism, and who do not necessarily want to do library searches to find the particular essay. The short biography of the author, as well as the "cross-reference" notes at the end of the biography, are helpful too. A similar anthology is *Literary Theory: An Anthology* edited by Julie Rivkin and Michael Ryan, which also collects the highlights of the theorists's work. However, I prefer Professor Lodge's book because 1) it more engaging, 2) it is smaller and more manageable.
---------------Theorists who are listed-------------------
Ferdinand de Saussure's "Nature of the Linguistic Sign"
Victor Shlovsky
Roman Jacobson
Gerard Genette
Jacques Lacan
Jacques Derrida
Mikhail Bakhtin
Tzvetan Todorov
Roland Barthes's "The Death of the Author," "Textual Analysis: Poe's 'Valdemar'"
Michel Foucault's "What is an Author?"
Wolfgang Iser's "The Reading Process: A Phenomenological Approach"
Julia Kristeva
Harold Bloom
E D Hirsch Jr
M H Abrams
J Hillis Miller
Helene Cixous
Edward Said
Stanley Fish
Elaine Showalter
Paul De Man
Fredric Jameson
Terry Eagleton's "Capitalism, Modernism and Postmodernism"
Catherine Belsey
Geoffrey Hartman
Juliet Mitchell
Colin MacCabe
Umberto Eco
3 of 3 people found the following review helpful.
Very useful for getting into theory, especially for undergraduates
By etal erehcse
This is by far one of the most useful textbooks I have used. I got it for a class a year ago and have used it as a supplement for nearly every class and paper since. The presentation makes the high-strung contemporary theory very accessible and the editors have done well to include a very broad scope of topics and positions, while maintaining a manageable size. It is very possible to read all of the essays, and each is very salient. I'm sure the 3rd edition (which has recently been released) only improves on all counts, most significantly in terms of including more and more contemporary critics. However, it is not necessary to shell out the extra $40 or so for a copy of that 3rd edition, or a brand new copy of of 2nd, when a used but immaculate 2nd edition will cost about $10 with shipping. The 2nd edition offers a very comprehensive--but not over-exhaustive--reading of trends in contemporary theory. I would recommend it for anyone interested in becoming familiar with critical theory, postmodernisms, contemporary literary theory etc; it is very, very worth it, especially if you want to be able to investigate literary philosophies and add an otherwise unavailable depth to your present studies.
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